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Posts Tagged ‘Charles Dickens’

After yet again recently revisiting the period of my father’s death in a poem, it seemed only fair to republish a few poems from an earlier sequence that will help put that in context. I have missed some from that sequence that don’t relate to the grief, and some others that I’ve only recently republished.

Try the Emptiness

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After yet again recently revisiting the period of my father’s death in a poem, it seemed only fair to republish a few poems from an earlier sequence that will help put that in context. I have missed some from that sequence that don’t relate to the grief, and some others that I’ve only recently republished.

Morphine or Mysticism v3

 

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Altruism Black Earth

In the light of recent events concerning the best way to deal with those who had been drawn into working with Daesh in Syria, it seemed worth republishing this sequence from two years ago. The three posts, of which this is the last, appeared on consecutive Thursdays.

The first post looked at the implications of two books – Altruism and Black Earth – which led me to reflect on the possibility that we might not be immune to a repetition of the horrors of the Holocaust. At the end of the previous post we had reached the point of arguing that it is essential, if our society is to lift its collective consciousness to a more compassionate level, that we focus more intently upon the education of our children.

There are two key areas that determine the direction of a child’s development: parenting and schooling.

Parenting

Let’s take parenting first, and why it matters.

One main point is, and probably always should have been, fairly obvious, though now we have empirical evidence to back it up. When Jeremy Rifkin in his excellent book – The Empathic Civilisation – looks at where we are at present with the challenges we face, he concludes (page 502):

The question is, what is the appropriate therapy for recovering from the [current] well/happiness addiction? A spate of studies over the past 15 years has shown a consistently close correlation between parental nurturance patterns and whether children grow up fixated on material success. . . . If… the principal caretaker is cold, arbitrary in her or his affections, punitive, unresponsive, and anxious, the child will be far less likely to establish a secure emotional attachment and the self-confidence necessary to create a strong independent core identity. These children invariably show a greater tendency to fix on material success, fame, and image as a substitute mode for gaining recognition, acceptance, and a sense of belonging.

There are also less obvious forces at work as well. Ricard explores the exact relationship as currently understood between evolution and altruism. He looks carefully at the evidence and quotes Sarah Blaffer Hrdy’s conclusion from her research that (page 173):

. . . . ‘novel rearing conditions along the line of early hominids meant that youngsters grew up depending on a wider range of caretakers than just their mothers, and this dependence produced selection pressure that favoured individuals who were better at decoding the mental state of others, and figuring out who would help and who would hurt.’

In other words, the fact that newborns interact quickly with a large number of people may have contributed considerably to raising the degree of cooperation and empathy among humans.

Hrdy’s final point of view is very clear (page 174):

. . . without the help of “alloparents,” there would never have been a human species.

We are now breaking that pattern (ibid.):

The notion of “family” as limited to a couple and their children developed only in the 20th century in Europe, and as late as the 1950s in the United States. Before that, most families included members of three generations, comprising aunts, cousins, et cetera.

This carries a significant risk (pages 175-76):

. . . . given empathy and the faculties of understanding others developed thanks to particular ways of taking care of children, and if an increasing proportion of humans no longer benefited from these conditions, compassion and the search for emotional connections would disappear. [Hrdy] questions whether such people “will be human in ways that we now think of as distinguishing our species – that is, empathic and curious about the emotions of others, shaped by our ancient heritage of communal care.”

Schooling

Is there any sign that our educational systems, not just in the West but also in countries such as China, are working hard enough to counteract a trend towards narcissistic materialism and competitiveness? There is a considerable body of evidence suggesting otherwise.

Of American education John Fitzgerald Medina writes in his hard-hitting Faith, Physics & Psychology (page 319):

Within the mainstream educational system, students spend endless hours in academic tasks almost to the exclusion of all other forms of social, emotional, moral, artistic, physical, and spiritual learning goals. This type of education leaves students bereft of any overarching sense of why they are learning things, other than perhaps to obtain some lucrative job in the distant future.

Though Jeremy Rifkin sees it more positively and refers to the existence in schools of programmes designed to develop empathy, he is not completely blind to the obstacles (pages 604-05):

. . . because empathic engagement is the most deeply collaborative experience one can ever have, bringing out children’s empathic nature in the classroom requires collaborative learning models. Unfortunately, the traditional classroom curriculum continues to emphasise learning as a highly personal experience designed to acquire and control knowledge by dint of competition with others.

[An example of what Rifkin refers to elsewhere in his book when describing programmes for cultivating empathy is in this clip.]  

An example of the current state of play in the States comes in a blog post on the NY Times site from a philosopher father after encountering issues with his son’s education. He summarises what he has learnt:

In summary, our public schools teach students that all claims are either facts or opinions and that all value and moral claims fall into the latter camp. The punchline: there are no moral facts. And if there are no moral facts, then there are no moral truths.

He spells out the implications of this rampant moral relativism:

. . . . in the world beyond grade school, where adults must exercise their moral knowledge and reasoning to conduct themselves in the society, the stakes are greater. There, consistency demands that we acknowledge the existence of moral facts. If it’s not true that it’s wrong to murder a cartoonist with whom one disagrees, then how can we be outraged? If there are no truths about what is good or valuable or right, how can we prosecute people for crimes against humanity? If it’s not true that all humans are created equal, then why vote for any political system that doesn’t benefit you over others?

My strong impression is that the UK system has moved a long way in this dehumanising direction also. There is ample evidence to justify this view. Confirmation that Medina’s bleak picture applies at least to some extent within the UK can be found, for example, in an article in the Guardian of February this year which quotes recent research:

The survey of 10,000 pupils aged 14 and 15 in secondary schools across the UK found that more than half failed to identify what researchers described as good judgments when responding to a series of moral dilemmas, leading researchers to call for schools to have a more active role in teaching character and morality.

“A good grasp of moral virtues, such as kindness, honesty and courage can help children to flourish as human beings, and can also lead to improvements in the classroom. And that level of understanding doesn’t just happen – it needs to be nurtured and encouraged,” said Prof James Arthur, director of Birmingham’s Jubilee Centre for Character and Virtues, which conducted the research.

There was also a piece by Layard on the LSE website in January this year:

In a path-breaking analysis using the British Cohort Study, we found some astonishing results. The strongest predictor of a satisfying adult life was the child’s emotional health. Next came social behaviour, and least important was academic achievement. This is exactly the opposite sequence to the priorities of most (but not all) educators and politicians.

An article on the Greater Good website emphasises how important it is to include a moral component in the curriculum and shows that there is widespread concern about this issue:

Many schools are hopping on the bandwagon to teach “performance character”—qualities such as perseverance, optimism, and creativity— because it has been shown to lead to greater academic success. Fewer, though, are also teaching moral character, which focuses on qualities that enhance ethical behavior, including empathy, social responsibility, and integrity.

The challenge is that performance character by itself is not necessarily good or bad. A person can exhibit great perseverance and creativity, but use it towards bad means—take your pick of corporate scandals to see this in action. To blunt ends-justify-means thinking, schools need to balance achievement-oriented performance character with the ethical orientation of moral character, while also teaching emotional skills.

Case in point: A recent study found that students at a middle school that emphasized moral character demonstrated higher rates of academic integrity than students at two middle schools that taught only performance character. In other words, the students who cultivated their moral backbone were less likely to cheat than the students who developed perseverance.

chinese teachers

Chinese Teachers in UK (for source of image see link)

A recent series on BBC television showed clearly how China is walking along the same potentially destructive path. Four teachers came to the UK to prove how the Chinese system is far more effective than ours in boosting academic performance. They emphasised, in their comments on their approach, how China stresses preparing their students to succeed in what they see as an extremely and inevitably competitive world. Their blackboard-based monologues, pumping out facts with no opportunity to experience their living meaning, was reminiscent of the Gradgrind approach to education Charles Dickens satirised in Hard Times:

‘Gradgrind’s Class’ from The Illustrated Hard Times by Nick Ellis (for source see link)

‘Gradgrind’s Class’ from The Illustrated Hard Times by Nick Ellis (for source see link)

‘Girl number twenty,’ said Mr. Gradgrind, squarely pointing with his square forefinger, ‘I don’t know that girl. Who is that girl?’

‘Sissy Jupe, sir,’ explained number twenty, blushing, standing up, and curtseying.

‘Sissy is not a name,’ said Mr. Gradgrind. ‘Don’t call yourself Sissy. Call yourself Cecilia.’

‘My father as calls me Sissy. sir,’ returned the young girl in a trembling voice, and with another curtsey.

‘Then he has no business to do it,’ said Mr. Gradgrind. ‘Tell him he mustn’t. Cecilia Jupe. Let me see. What is your father?’

‘He belongs to the horse-riding, if you please, sir.’

Mr. Gradgrind frowned, and waved off the objectionable calling with his hand.

‘We don’t want to know anything about that, here. You mustn’t tell us about that, here. . . . Give me your definition of a horse.’

(Sissy Jupe thrown into the greatest alarm by this demand.)

‘Girl number twenty unable to define a horse!’ said Mr. Gradgrind, for the general behoof of all the little pitchers. ‘Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy’s definition of a horse. Bitzer, yours. . . .’

The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. . . . . .

‘Bitzer,’ said Thomas Gradgrind. ‘Your definition of a horse.’

‘Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth.’ Thus (and much more) Bitzer.

‘Now girl number twenty,’ said Mr Gradgrind. ‘You know what a horse is.’

Unfortunately the Chinese teachers’ approach was shown to produce better grades than the UK system. My worry is that it probably does not produce better human beings, even while conceding that our own system leaves a lot to be desired still in that respect.

In addition to the need to build back into the curriculum elements of creativity, morality, and spirituality, there is an additional vital element we must not forget. A service component, something at the core of the Bahá’í approach, is almost certainly crucial to any educational system, not just one for remedial purposes. Compassion has to be linked to action to be fully internalised.

Even if we accept that attempts are being made to introduce empathy-inducing elements into educational and training programmes in the States the blinkered way these are sometimes implemented undermines their efficacy, as Timothy Wilson testifies. For example, the research he reviews in his excellent short book Redirect: the surprising new science of psychological change points towards the critical importance of incorporating a community service component into any remedial programme for children and young people manifesting behavioural problems. He was reacting to the fact that an expensive implementation of the programme involving nearly 600 students across several sites failed to produce any of the expected benefits (page 131):

What happened? It turns out that each site was given a fair amount of latitude in how they implemented the QOP [Quantum Opportunities Programme], and none of the sites adopted the entire curriculum. In particular, most of the site managers decided to focus on the mentoring aspects of the program and non-fully implemented the community service component – the very component that we know, from the Teen Outreach and Reach for Health programs, has beneficial effects! Sadly, more than $15 million was spent on a five-year intervention in which a key ingredient (community service) was eliminated. . . .

The fact that policymakers learned so little from past research – at huge human and financial cost – is made more mind-boggling by being such a familiar story. Too often, policy makers follow common sense instead of scientific data when deciding how to solve social and behavioural problems. When well-meaning managers of the QOP sites looked at the curriculum, the community service component probably seemed like a frill compared to bringing kids together for sessions on life development. Makes sense, doesn’t it? But common sense was wrong, as it has been so often before. In the end, it is teens… who pay the price…

For a sense of the what the Bahá’í Approach involves this video is a good introduction. It shows how the Bahá’í emphasis upon engaging young people in the process of child education and community building works in practice.

(Published on 2 May 2013: You can download this film from the Official website: http://www.bahai.org/frontiers/)

It seems to me imperative that everyone, no matter what their circumstances might be, needs at the very least to find whatever ways they can to raise consciousness among their family, friends and contacts, so that more and more people internalise a vision of humanity as one family and understand better how to nurture and sustain people, fellow creatures and the planet. If that can also involve directly relevant action so much the better.

It is also appropriate to add here that even those who have ended up seduced by the manipulations of extremists can potentially be rehabilitated, as a recent article by Lynne Wallis in the Guardian contended, and, if we are to be true to the Universal House of Justice’s exhortation to take responsibility for the welfare all human beings without exception, then, provided we protect ourselves at the same time, we should offer them this chance.

Wallis feels strongly, in spite of the difficulties involved, that the evidence suggests ‘the process of indoctrination can . . . be reversed. It is commonly referred to as “exit counselling”, and when it happens – it’s often hard to get a cult member alone for long enough – it is often successful.’ As we are not dealing with people embedded in a ‘cult’ with repatriated Daesh members: they may well have gone through a process in the courts and be prisoners, in which case consistent access should be no problem.

My personal plan

For the foreseeable future I plan to explore, as often as I am able, this whole issue of altruism. In particular I want to understand more fully what factors enable us to widen the compass of our compassion and what factors narrow it.

I am already fairly clear that this will take me back over some familiar territory, though perhaps seeing it through a slightly different lens, but it will also require me to look carefully at some areas I have not explored in detail. Historical texts, for example, have not been my favourite grazing ground in the past – something about the way they marshal information switches me off. However, Snyder’s book has persuaded me I ought to give them another chance as I came to realise, from reading Black Earth, how little I really understood about many of the background factors that shaped the Holocaust. Maybe I also need to revisit some philosophical work that I have previously avoided as too challenging in its approach.

Some bolder experiments in terms of my personal experience might not come amiss either. I doubt that I can fully understand the challenges of this area without stepping into the fire.

What I have realised about this topic is that I can investigate it almost anywhere at any time, no matter what I am doing – perhaps even when I am chilling out in front of some anodyne murder mystery on the television.

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Mirror of the DivineHow is it possible for a person who simply sets words to paper, who plucks a string or dabs colour on a canvas, to play… a remarkable role in the spiritual life of man? The key lies in the fact that art has a direct and real effect on the human soul.

(Ludwig Tuman in Mirror of the Divine – page 81)

To explore further this issue of whether or not there is a self beneath the flux of consciousness with some hope of clarity, I need to go back to what Harris says: ‘The implied center of cognition and emotion simply falls away, and it is obvious that consciousness is never truly confined by what it knows’ and ‘consciousness is intrinsically free of self.’

The No Self Issue

He may have disposed of the self in a way that preserves his atheism intact. What he skates over are the implications of the consciousness with which he is left. I can see that we are close to Buddhist ideas of the annihilation of the self as it merges back into the ground of being – blending its drop into the ocean once more.

But there’s a catch, isn’t there? There is still some kind of consciousness albeit without the usual boundaries. There is still an awareness with which he is connected and whose experience he remembers even if he cannot sustain that kind of awareness for long.

Setting aside my sense, which I have explored at length elsewhere, that the mere existence of consciousness warrants a transcendent explanation, and that reductionist explanations are missing the point, where does this leave us?

Eben Alexander

Eben Alexander

I am reminded here of the detailed, and in my view completely trustworthy, account of a near death experience given by Eben Alexander. I have dealt elsewhere on this blog with books that explore near death experiences (NDEs) in a more scientific way (see above links). I have chosen to quote here from one person’s experience partly because it is more appropriate to this examination of literature and also because it counterbalances Harris’s one-person account. If sceptics are happy to accept Harris’s conclusions from his experience, I can see no reason for me not to accept Alexander’s.

I need to quote from it at some length to make its relevance completely clear. Describing the early stages of his NDE he finds it frankly bizarre (page 77):

To say that at that point in the proceedings I still had no idea who I was or where I’d come from sounds somewhat perplexing, I know. After all, how could I be learning all these stunningly complex and beautiful things, how could I see the girl next to me, and the blossoming trees and waterfalls and villagers, and still not know that it was I, Eben Alexander, who was the one experiencing them? How could I understand all that I did, yet not realize that on earth I was a doctor, husband, and father?

The girl accompanies him through almost all the stages of his journey. When he makes his improbable recovery from the week-long encephalitis-induced coma, as an adopted child he goes back to exploring his birth family, an exploration interrupted almost before it began by his life-threatening illness. He makes contact and discovers that he had had a birth sister who died. When he finally sees the photograph of her a dramatic realization slowly dawns (pages 166-167):

In that one moment, in the bedroom of our house, on a rainy Tuesday morning, the higher and the lower worlds met. Seeing that photo made me feel a little like the boy in the fairy tale who travels to the other world and then returns, only to find that it was all a dream—until he looks in his pocket and finds a scintillating handful of magical earth from the realms beyond.

As much as I’d tried to deny it, for weeks now a fight had been going on inside me. A fight between the part of my mind that had been out there beyond the body, and the doctor—the healer who had pledged himself to science. I looked into the face of my sister, my angel, and I knew—knew completely—that the two people I had been in the last few months, since coming back, were indeed one. I needed to completely embrace my role as a doctor, as a scientist and healer, and as the subject of a very unlikely, very real, very important journey into the Divine itself. It was important not because of me, but because of the fantastically, deal-breakingly convincing details behind it. My NDE had healed my fragmented soul. It had let me know that I had always been loved, and it also showed me that absolutely everyone else in the universe is loved, too. And it had done so while placing my physical body into a state that, by medical science’s current terms, should have made it impossible for me to have experienced anything.

Proof-of-HeavenHe, as a sceptical scientist, on the basis of his very different experience, made a different decision from that of Harris.

His whole account absolutely requires careful reading. It is to be trusted in my view first of all because it is written by someone who was, before his NDE, an atheist, as Harris is, secondly because he is an academic as well as a highly regarded neurosurgeon with much to lose from declaring himself as a believer in such things, and lastly because he followed the advice of his son and recorded the whole experience before reading any NDE literature that might have unduly influenced his narrative.

What do the passages I have just quoted suggest?

Well, I think they bridge the gap between what Harris describes and what ‘Abdu’l-Bahá tells us (Tablets: page 730):

Know thou for a certainty that in the divine worlds the spiritual beloved ones will recognize one another, and will seek union with each other, but a spiritual union. Likewise a love that one may have entertained for anyone will not be forgotten in the world of the Kingdom, nor wilt thou forget there the life that thou hadst in the material world.

How come?

For a start, it shows someone conscious but without any memory for who he is – awareness stripped of self, in the terms we are using here. This leaves me feeling it maps onto, even if it goes beyond, the state of mind Harris describes.

So, with at least some resemblance to an extreme meditative state, it takes us one step further. It demonstrates consciousness without a brain. The coma has helpfully disconnected his brain, without any need for him to learn how to do it himself via meditation, and yet he is still aware.

Even more amazing is that, with his brain shut down, he has been able to retain detailed memories of a rich week-long experience and begin the process of reintegrating it into his brain-bound identity.

Equally surprisingly, a consciousness he didn’t know but which clearly knew him, a survivor of the body’s death, connects with him. Even though, in this NDE Alexander has forgotten who he is, and therefore does not confirm that aspect of what ‘Abdu’l-Bahá wrote, the consciousness of his dead sister had obviously retained a sense of who she had been and what her relationships were, even when there had been no interaction physically with Alexander during her mortal life. It seems legitimate to assume that, if Alexander’s experience is a precursor to an eternal afterlife, there would be time for him to reconnect with memories of who he was.

What has all this got to do with los Solitarios and Lehrer’s ideas about the novel?

Just to clarify, I am not simplistically concluding that all the Solitarios are equally reductionist. Pessoa, Machado and Rilke each have their own more spiritual take on reality at times. What I am suggesting here is that Proust and Beckett, along with other modernists such as James Joyce and Virginia Woolf, have fallen into the modernist trap to some degree.

Why do I call it a trap?

Once we deny any form of spiritual or transcendent reality it is only a short step to concluding that life has no meaning beyond what we arbitrarily give to it. Beckett’s existential despair becomes a predictable symptom, as does what Richard Davenport-Hines summarized as the degenerative, secularised squalor of the world Proust saw around him and depicted in his work.

A further consequence of this world picture is a powerful sense of alienation. This adds to the dispiriting bleakness of life as experienced through this lens. Both Beckett and Proust lived lives that were profoundly disconnected from the social world around them. I am on dangerous ground here if I simplistically attribute this disconnection only to their materialistic approach to the world. My other Solitarios are equally alienated from the social world but, with the possible exception of Rilke, do not inhabit as bleak a subjective reality. My contention is that the combination of a tendency to extreme introversion combined with a reductionist worldview is a toxic prescription for despair. As such the literature it engenders will render a seriously distorted view of existence.

If their versions of reality are unbalanced, what to do?

Is the novel, part of Beckett’s and all of Proust’s greatest work, an inherently materialist form? Is the same true of drama as well, so no get-out for Beckett there? Is only poetry suitable for and tending towards spiritual matters, hence the difference that exists between these two novelists and the work of Rilke, Machado and Pessoa?

The quality of Beckett’s and Proust’s writing is indisputable: the deficiencies of their moral and spiritual perspective create significant flaws in their overall achievement. What, if any, might be the remedy?

Beckett clearly felt there was none.

His absolute refusal to attempt anything of the kind may be part of the reason why Beckett as a writer fails to engage my interest. Few writers have ever seemed as trapped as Beckett was in a pillar-box consciousness that struggles and fails to find meaning in anything at all. I still fail to resonate to the overall negativity and nihilism of his world view, of the kind that meant that towards the end of his life, when he was asked (Cronin – page 590), ‘And now it’s nearly over, Sam, was there much of the journey you found worthwhile?’ he replied ‘Precious little.’

Reading Proust is less of a journey into an existential Arctic. However, although he has a strong sense of what he feels is right, the world his work explores has lost its moral compass a long time ago.

Three novels immediately spring to mind as having combined darkness with light in  a more balanced way.

tenant-of-wildfell-hallI recently drew attention to The Tenant of Wildfell Hall. The journal of the heroine is a disturbing description of an abusive marriage. Helen mistakenly marries the vulpine and narcissistic Huntington, and laments (The Tenant of Wildfell Hall, Penguin Edition Chapter 29 – page 243):

I have need of consolation in my son, for (to this silent paper I may confess it) I have but little in my husband. I love him still; and he loves me, in his own way — but oh, how different from the love I could have given, and once had hoped to receive! how little real sympathy there exists between us; how many of my thoughts and feelings are gloomily cloistered within my own mind; how much of my higher and better self is indeed unmarried — doomed either to harden and sour in the sunless shade of solitude, or to quite degenerate and fall away for lack of nutriment in this unwholesome soil!

And although she trusts things will get no worse, she is sadly mistaken.

What interests me particularly is the way that Emily Brontë blends her faith with her art. It’s signposted there with Helen’s use of the expression ‘higher and better self.’

Her novel integrates her faith with her art in way that adds depth, a depth upon which too much of modern art and writing has turned its back. I accept that some will find Helen’s piety disquieting in that it initially seems to influence her to suffer in silence. Even during that period though it gives her strength to cope with her husband’s oppressive vagaries, while also enabling her to hold onto the necessary critical perspective that means she never succumbs to the temptation to tolerate them as in some way acceptable.

Even more impressively, in the end we see Helen demonstrating that such piety is not incompatible with constructive self-assertion when the occasion demands it. The prime activating consideration here for Helen was the welfare of her son, whom she wished to rescue from the corrupting influence of his father (pages 352-53):

My child must not be abandoned to this corruption: better far that he should live in poverty and obscurity with a fugitive mother, than in luxury and affluence was such a father. . . I could endure it for myself, but for my son it must be borne no longer.

Bahiyyih-Nakhjavani-009

Bahiyyih Nakhjavani

The Tenant of Wildfell Hall blends art and spirituality superbly well: another book that comes close is Bahiyyih Nakhjavani’s masterpiece The Woman Who Read Too Mucha brilliant evocation of the life and times of the woman given the name Táhirih(“The Pure One”), who famously stated at her point of death at the hands of a group of assassins: ‘You can kill me as soon as you like, but you cannot stop the emancipation of women!’

I must also include Marilynne Robinson’s Gilead.  To quote the Goodread’s review: ‘Writing in the tradition of Emily Dickinson and Walt Whitman, Marilynne Robinson’s beautiful, spare, and spiritual prose allows “even the faithless reader to feel the possibility of transcendent order” (Slate).’

It clearly can be done, and, if those three books are anything to go by, a strong focus on the consciousness of the characters depicted does not require a reductionist approach. These novels are very much in the tradition of Joyce, Beckett and Proust in this respect. But they do not lack a sense of the spiritual or transcendent also.

In addition, for me at least, they combine the capturing of consciousness with some form of interest-sustaining narrative, and it’s the echoes of the story and its implications that linger longest in my memory. If an author strays too far from some form of narrative it is possible he might diminish the long-term impact of his book on the reader.

Interestingly, all three books are by women authors.

Art, in my view, should create an experience that deepens our understanding of reality without unduly distorting it. Paradoxically, feminine writers are more effective in that respect than masculine ones, it seems. (It may be that ultimately I mean writers of a female cast of mind regardless of ostensible gender.)

Anyhow, when I now ponder on my current pantheon of novelists, women outnumber men. Jane Austen, the Brontês, Mary Anne Evans (pen name George Eliot), Elizabeth Gaskell, Doris Lessing, Hilary Mantell, A S Byatt, Margaret Attwood, Bahiyyih Nakhjavani and Marilynne Robinson, to name but the most important to me, leave Ford Madox Ford, Joseph Conrad and Fyodor Doestoyevsky trailing forlornly in the rear.

This realisation has come as a bit of a shock to me. I hadn’t expected it to turn out quite such a one-sided contest. It was not always thus – it’s only since I recently realised that Charles Dickens, Thomas Hardy and William Makepeace Thackeray amongst others, have fallen from grace in my mind’s eye over the years.

I need to digest this insight and test its validity against a re-reading of some of the authors I’ve just mentioned before I leap to a firm conclusion that those with a feminine cast of mind seem to hold the balance between spirit and matter, plot and consciousness, better on the whole than those whose orientation is more macho.

Whatever the truth of the gender idea may be, that at least some writers can achieve this balance confirms it is not impossible, and, if we believe as I do, that there is a spiritual dimension to reality, for the reasons I have given throughout this blog, then art has a duty to incorporate it into its representations of experience. It does not need to do so explicitly, any more than The Handmaid’s Tale has to spell out in detail the moral code that condemns the abuses it depicts but the moral code has to at least be implicit and not completely absent.

Well, that new slant on things has made my rather demoralising exploration of Proust and Beckett well worthwhile.

There will soon be more on the value of the feminine perspective.

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Altruism Black Earth

In the light of recent events in London and Manchester and of this week’s sequence on Hillman’s book, that dealt in some detail with Hitler, it seemed worth republishing this sequence from two years ago. The posts, of which this is the last, have appeared on the consecutive days.

The first post looked at the implications of two books – Altruism and Black Earth – which led me to reflect on the possibility that we might not be immune to a repetition of the horrors of the Holocaust. At the end of the previous post we had reached the point of arguing that it is essential, if our society is to lift its collective consciousness to a more compassionate level, that we focus more intently upon the education of our children.

There are two key areas that determine the direction of a child’s development: parenting and schooling.

Parenting

Let’s take parenting first, and why it matters.

One main point is, and probably always should have been, fairly obvious, though now we have empirical evidence to back it up. When Jeremy Rifkin in his excellent book – The Empathic Civilisation – looks at where we are at present with the challenges we face, he concludes (page 502):

The question is, what is the appropriate therapy for recovering from the [current] well/happiness addiction? A spate of studies over the past 15 years has shown a consistently close correlation between parental nurturance patterns and whether children grow up fixated on material success. . . . If… the principal caretaker is cold, arbitrary in her or his affections, punitive, unresponsive, and anxious, the child will be far less likely to establish a secure emotional attachment and the self-confidence necessary to create a strong independent core identity. These children invariably show a greater tendency to fix on material success, fame, and image as a substitute mode for gaining recognition, acceptance, and a sense of belonging.

There are also less obvious forces at work as well. Ricard explores the exact relationship as currently understood between evolution and altruism. He looks carefully at the evidence and quotes Sarah Blaffer Hrdy’s conclusion from her research that (page 173):

. . . . ‘novel rearing conditions along the line of early hominids meant that youngsters grew up depending on a wider range of caretakers than just their mothers, and this dependence produced selection pressure that favoured individuals who were better at decoding the mental state of others, and figuring out who would help and who would hurt.’

In other words, the fact that newborns interact quickly with a large number of people may have contributed considerably to raising the degree of cooperation and empathy among humans.

Hrdy’s final point of view is very clear (page 174):

. . . without the help of “alloparents,” there would never have been a human species.

We are now breaking that pattern (ibid.):

The notion of “family” as limited to a couple and their children developed only in the 20th century in Europe, and as late as the 1950s in the United States. Before that, most families included members of three generations, comprising aunts, cousins, et cetera.

This carries a significant risk (pages 175-76):

. . . . given empathy and the faculties of understanding others developed thanks to particular ways of taking care of children, and if an increasing proportion of humans no longer benefited from these conditions, compassion and the search for emotional connections would disappear. [Hrdy] questions whether such people “will be human in ways that we now think of as distinguishing our species – that is, empathic and curious about the emotions of others, shaped by our ancient heritage of communal care.”

Schooling

Is there any sign that our educational systems, not just in the West but also in countries such as China, are working hard enough to counteract a trend towards narcissistic materialism and competitiveness? There is a considerable body of evidence suggesting otherwise.

Of American education John Fitzgerald Medina writes in his hard-hitting Faith, Physics & Psychology (page 319):

Within the mainstream educational system, students spend endless hours in academic tasks almost to the exclusion of all other forms of social, emotional, moral, artistic, physical, and spiritual learning goals. This type of education leaves students bereft of any overarching sense of why they are learning things, other than perhaps to obtain some lucrative job in the distant future.

Though Jeremy Rifkin sees it more positively and refers to the existence in schools of programmes designed to develop empathy, he is not completely blind to the obstacles (pages 604-05):

. . . because empathic engagement is the most deeply collaborative experience one can ever have, bringing out children’s empathic nature in the classroom requires collaborative learning models. Unfortunately, the traditional classroom curriculum continues to emphasise learning as a highly personal experience designed to acquire and control knowledge by dint of competition with others.

[An example of what Rifkin refers to elsewhere in his book when describing programmes for cultivating empathy is in this clip.]  

An example of the current state of play in the States comes in a blog post on the NY Times site from a philosopher father after encountering issues with his son’s education. He summarises what he has learnt:

In summary, our public schools teach students that all claims are either facts or opinions and that all value and moral claims fall into the latter camp. The punchline: there are no moral facts. And if there are no moral facts, then there are no moral truths.

He spells out the implications of this rampant moral relativism:

. . . . in the world beyond grade school, where adults must exercise their moral knowledge and reasoning to conduct themselves in the society, the stakes are greater. There, consistency demands that we acknowledge the existence of moral facts. If it’s not true that it’s wrong to murder a cartoonist with whom one disagrees, then how can we be outraged? If there are no truths about what is good or valuable or right, how can we prosecute people for crimes against humanity? If it’s not true that all humans are created equal, then why vote for any political system that doesn’t benefit you over others?

My strong impression is that the UK system has moved a long way in this dehumanising direction also. There is ample evidence to justify this view. Confirmation that Medina’s bleak picture applies at least to some extent within the UK can be found, for example, in an article in the Guardian of February this year which quotes recent research:

The survey of 10,000 pupils aged 14 and 15 in secondary schools across the UK found that more than half failed to identify what researchers described as good judgments when responding to a series of moral dilemmas, leading researchers to call for schools to have a more active role in teaching character and morality.

“A good grasp of moral virtues, such as kindness, honesty and courage can help children to flourish as human beings, and can also lead to improvements in the classroom. And that level of understanding doesn’t just happen – it needs to be nurtured and encouraged,” said Prof James Arthur, director of Birmingham’s Jubilee Centre for Character and Virtues, which conducted the research.

There was also a piece by Layard on the LSE website in January this year:

In a path-breaking analysis using the British Cohort Study, we found some astonishing results. The strongest predictor of a satisfying adult life was the child’s emotional health. Next came social behaviour, and least important was academic achievement. This is exactly the opposite sequence to the priorities of most (but not all) educators and politicians.

An article on the Greater Good website emphasises how important it is to include a moral component in the curriculum and shows that there is widespread concern about this issue:

Many schools are hopping on the bandwagon to teach “performance character”—qualities such as perseverance, optimism, and creativity— because it has been shown to lead to greater academic success. Fewer, though, are also teaching moral character, which focuses on qualities that enhance ethical behavior, including empathy, social responsibility, and integrity.

The challenge is that performance character by itself is not necessarily good or bad. A person can exhibit great perseverance and creativity, but use it towards bad means—take your pick of corporate scandals to see this in action. To blunt ends-justify-means thinking, schools need to balance achievement-oriented performance character with the ethical orientation of moral character, while also teaching emotional skills.

Case in point: A recent study found that students at a middle school that emphasized moral character demonstrated higher rates of academic integrity than students at two middle schools that taught only performance character. In other words, the students who cultivated their moral backbone were less likely to cheat than the students who developed perseverance.

chinese teachers

Chinese Teachers in UK (for source of image see link)

A recent series on BBC television showed clearly how China is walking along the same potentially destructive path. Four teachers came to the UK to prove how the Chinese system is far more effective than ours in boosting academic performance. They emphasised, in their comments on their approach, how China stresses preparing their students to succeed in what they see as an extremely and inevitably competitive world. Their blackboard-based monologues, pumping out facts with no opportunity to experience their living meaning, was reminiscent of the Gradgrind approach to education Charles Dickens satirised in Hard Times:

‘Gradgrind’s Class’ from The Illustrated Hard Times by Nick Ellis (for source see link)

‘Gradgrind’s Class’ from The Illustrated Hard Times by Nick Ellis (for source see link)

‘Girl number twenty,’ said Mr. Gradgrind, squarely pointing with his square forefinger, ‘I don’t know that girl. Who is that girl?’

‘Sissy Jupe, sir,’ explained number twenty, blushing, standing up, and curtseying.

‘Sissy is not a name,’ said Mr. Gradgrind. ‘Don’t call yourself Sissy. Call yourself Cecilia.’

‘My father as calls me Sissy. sir,’ returned the young girl in a trembling voice, and with another curtsey.

‘Then he has no business to do it,’ said Mr. Gradgrind. ‘Tell him he mustn’t. Cecilia Jupe. Let me see. What is your father?’

‘He belongs to the horse-riding, if you please, sir.’

Mr. Gradgrind frowned, and waved off the objectionable calling with his hand.

‘We don’t want to know anything about that, here. You mustn’t tell us about that, here. . . . Give me your definition of a horse.’

(Sissy Jupe thrown into the greatest alarm by this demand.)

‘Girl number twenty unable to define a horse!’ said Mr. Gradgrind, for the general behoof of all the little pitchers. ‘Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy’s definition of a horse. Bitzer, yours. . . .’

The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. . . . . .

‘Bitzer,’ said Thomas Gradgrind. ‘Your definition of a horse.’

‘Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth.’ Thus (and much more) Bitzer.

‘Now girl number twenty,’ said Mr Gradgrind. ‘You know what a horse is.’

Unfortunately the Chinese teachers’ approach was shown to produce better grades than the UK system. My worry is that it probably does not produce better human beings, even while conceding that our own system leaves a lot to be desired still in that respect.

In addition to the need to build back into the curriculum elements of creativity, morality, and spirituality, there is an additional vital element we must not forget. A service component, something at the core of the Bahá’í approach, is almost certainly crucial to any educational system, not just one for remedial purposes. Compassion has to be linked to action to be fully internalised.

Even if we accept that attempts are being made to introduce empathy-inducing elements into educational and training programmes in the States the blinkered way these are sometimes implemented undermines their efficacy, as Timothy Wilson testifies. For example, the research he reviews in his excellent short book Redirect: the surprising new science of psychological change points towards the critical importance of incorporating a community service component into any remedial programme for children and young people manifesting behavioural problems. He was reacting to the fact that an expensive implementation of the programme involving nearly 600 students across several sites failed to produce any of the expected benefits (page 131):

What happened? It turns out that each site was given a fair amount of latitude in how they implemented the QOP [Quantum Opportunities Programme], and none of the sites adopted the entire curriculum. In particular, most of the site managers decided to focus on the mentoring aspects of the program and non-fully implemented the community service component – the very component that we know, from the Teen Outreach and Reach for Health programs, has beneficial effects! Sadly, more than $15 million was spent on a five-year intervention in which a key ingredient (community service) was eliminated. . . .

The fact that policymakers learned so little from past research – at huge human and financial cost – is made more mind-boggling by being such a familiar story. Too often, policy makers follow common sense instead of scientific data when deciding how to solve social and behavioural problems. When well-meaning managers of the QOP sites looked at the curriculum, the community service component probably seemed like a frill compared to bringing kids together for sessions on life development. Makes sense, doesn’t it? But common sense was wrong, as it has been so often before. In the end, it is teens… who pay the price…

For a sense of the what the Bahá’í Approach involves this video is a good introduction. It shows how the Bahá’í emphasis upon engaging young people in the process of child education and community building works in practice.

(Published on 2 May 2013: You can download this film from the Official website: http://www.bahai.org/frontiers/)

It seems to me imperative that everyone, no matter what their circumstances might be, needs at the very least to find whatever ways they can to raise consciousness among their family, friends and contacts, so that more and more people internalise a vision of humanity as one family and understand better how to nurture and sustain people, fellow creatures and the planet. If that can also involve directly relevant action so much the better.

My personal plan

For the foreseeable future I plan to explore, as often as I am able, this whole issue of altruism. In particular I want to understand more fully what factors enable us to widen the compass of our compassion and what factors narrow it.

I am already fairly clear that this will take me back over some familiar territory, though perhaps seeing it through a slightly different lens, but it will also require me to look carefully at some areas I have not explored in detail. Historical texts, for example, have not been my favourite grazing ground in the past – something about the way they marshal information switches me off. However, Snyder’s book has persuaded me I ought to give them another chance as I came to realise, from reading Black Earth, how little I really understood about many of the background factors that shaped the Holocaust. Maybe I also need to revisit some philosophical work that I have previously avoided as too challenging in its approach.

Some bolder experiments in terms of my personal experience might not come amiss either. I doubt that I can fully understand the challenges of this area without stepping into the fire.

What I have realised about this topic is that I can investigate it almost anywhere at any time, no matter what I am doing – perhaps even when I am chilling out in front of some anodyne murder mystery on the television.

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Tree Roots by Vincent van Gogh

Tree Roots by Vincent van Gogh

Abdu’l-Bahá said…: ‘All Art is a gift of the Holy Spirit. When this light shines through the mind of a musician, it manifests itself in beautiful harmonies. Again, shining through the mind of a poet, it is seen in fine poetry and poetic prose. When the Light of the Sun of Truth inspires the mind of a painter, he produces marvellous pictures. These gifts are fulfilling their highest purpose, when showing forth the praise of God.’

(Lady Blomfield, The Chosen Highway (Wilmette: Bahá’í Publishing Trust, 1954), p. 167)

The Art, Life and the Artist

As I have brought Shelley back into the frame with yesterday’s post, it seemed worth picking up this sequence from a year ago. It will also give me some much needed thinking time before my next new posts comes out! There are examples of trauma in his life at the point I take it up, that I will need to note and reflect upon in the light of what I have recently been learning. This phase in the sequence also looks at some general principles that may be relevant to creativity in general as well as Shelley in particular.

One reason I persisted in reading on against the current of my initial antipathy was that Shelley’s life, as the earlier posts and what follows later will clarify, illustrates an aspect of the complex relationship between creativity and personality – something I very much want to understand more fully and more directly for myself.

There are many theories and ideas about this whole multi-faceted area.

A Psychological Take

I’ve posted earlier my sense of Baumeister and Tierney’s position on the tendency of great creativity to be paired with chaotic or even destructive tendencies (cf also my posts on Dickens). They raise the question of whether the discrepancy between a lofty art and a debased life could stem from what they term ‘ego depletion.’ ‘Ego’ is used here to mean the faculty of self-regulation. They contend (Kindle Reference 428):

Restraining sexual impulses takes energy, and so does creative work. If you pour energy into your art, you have less available to restrain your libido.

They are aware that there are exceptions to this correlation, quoting Anthony Trollope as one example, and that there are ways of reducing the strain on self-control by automating the grunt work of creativity by regular habit. However, I am uncomfortable in accepting that this is the only or even the best explanation of this pattern.

There are many who continue to argue that creativity goes with some form of ‘mental illness,’ such as bipolar disorder. Again, not a complete or adequate explanation, as we will see in a later post.

A Spiritual Perspective

Maitreyabandhu has a subtle take on this whole issue. He takes up the spiritual thread in a way that complements the psychological explanation (The Farthest Reach: in Poetry Review Autumn 2012, pages 68-69):

The main difference between spiritual life and the path of the poet is that the first is a self-conscious mind-training, while the second is more ad hoc – breakthroughs into a new modes of consciousness are accessible to the poet within the work, but they fall away outside it. (This accounts for the famous double life of poets – how they can oscillate between god-like creation and animal-like behaviour.) Imagination’s sudden uplifts are sustained by the laws of kamma-niyama. But as soon as we want something, as soon as the usual ‘me’ takes over – tries to be ‘poetic’ or clever or coarse -we’re back on the stony ground of self. Egoism in poetry, as in any other field of life, is always predictable, doomed to repetition and banality or destined to tedious self-aggrandisement.

I will be returning in far more detail to his perspective in the final sequence of posts.

With Shelley we can immediately see how hard it was for him to express his compassionate ideals in his personal life. There was a strong element of narcissism that kept dragging him down, so that his indifference to the suffering he caused to those closest to him was bordering on brutal at times, even though he wept at the idea of the poor dying in the streets. I will be looking more closely at how life gradually helped him lift himself above this trap more often as he got older. Sadly, we will never know how high he might have been able to climb had he lived longer.

Narcissus by Caravaggio

Narcissus by Caravaggio

Morality and Art

Defining the relationship between the artist’s work and the artist’s life can raise serious issues that are not easy to resolve even if we can have access to all the necessary information.

For example, on 17 October, The Guardian published an interesting examination of this problem triggered by the court’s having ordered the destruction of original photographs, some historic and some by Ovenden himself, in the possession of Graham Ovenden, a convicted paedophile. Emine Saner wrote:

Can you ever divorce an artist’s life from their work? “Knowing Van Gogh shot himself, does that change the way you look at his paintings? Caravaggio was a murderer – does that make you look at him differently?” . . . . .

The attitude, says art writer Jonathan Jones, “where people [think] the art exists in its own sphere – I think that’s not true at all. Ovenden’s art probably does reflect aspects of his life we now find deeply troubling.” The question of how harshly we should judge the art by its artist remains. Can you read Alice in Wonderland in the same way when you’ve seen Lewis Carroll’s photographs of naked girls? Or listen to Benjamin Britten’s work, knowing he wrote great music for children, with such attention, because he had an obsession with pubescent boys (as detailed in John Bridcut’s 2006 biography)?

There are even questions, often raised by the surviving family, of what it is permissible to publish about an artist’s life, which makes this area even more difficult to grapple with because we are then deprived for sure of all we need to know. The most recent such furore has been about Jonathan Bates’s unauthorized biography of the late poet laureate, Ted Hughes. Bates’s freedom to quote was seriously curtailed, as a Guardian review explains:

As has been widely reported, he began his work on a “literary life” with the support of the Ted Hughes estate, controlled by the poet’s widow Carol. Late in the day this support was withdrawn: evidently, his researches were not purely “literary” enough. Permission for any substantial quotation from Hughes’s writing was also withdrawn, and Bate’s Unauthorised Life has to grapple with this ban.

The debate is heated. Adam Begley perhaps the defined the crucial issue best when he wrote recently:

Perhaps the answer is to divide the biographical mission into halves. A biographer engaged in research should be shameless, free of compunction and squeamishness. Every fact, no matter how sordid, whether plucked from the archives or the trash can, should be grist for the mill. Snobbish convictions about propriety and highbrow notions about the elevated status of art should be banished – but only until it comes time to tell the life story, at which point the biographer’s shamelessness must be put to good use. Any dirt dug up must tell us something essential about the person under scrutiny, about the work accomplished, about the achievement that makes the life worth examining.

Easier said than done, I suspect, as did Henry James also, when he penned his pointed dissection of the mind of a digger of bio-dirt – The Aspern Papers. Very appropriately for present purposes the short story was based on an attempt by Edward Silsbee to elicit documents about Shelley from Claire Clairmont shortly before she died (cf Richard Holmes – Shelley: the pursuit (page 733). The acid tone of the book can be sampled in the narrator’s reflection on his approach as he speaks to the niece of the lady who has the papers he longs to get his hands on: ‘I felt particularly like the reporter of a newspaper who forces his way into a house of mourning.’

Clearly, at such a remove in time and after so many relevant papers have been suppressed and destroyed, we will never be completely sure where the truth lies (can the truth lie?) in Shelley’s case. I’ll continue to have a stab at it none the less. I’ve come too far now to turn back!

subliminal

Source of Inspiration

In addition, there is the problem of where artistic inspiration comes from. Are the person and the poet not quite the same? May they be almost completely distinct as Shelley felt?

Yeats’s resonant statement –

Now that my ladder’s gone,
I must lie down where all the ladders start
In the foul rag-and-bone shop of the heart.

(The Circus Animals’ Desertion – last lines)

– maps onto a century old concept, explored at length by FHW Myers and discussed in the Kelly’s excellent book, Irreducible Mind: ‘subliminal uprush.’ Their book explores in depth the full complexity of our relationship with our unconscious processes. They give many examples of how people are simply not aware of complex and coherent processes at work beneath the surface of awareness. This makes taking a simplistic line which links the person we see with the source of the poetry tempting but deceptive. It is probable that, at the very least, the source of poetry is not completely reducible to the visible influences of a poet’s life. It may even, with the best poetry, be largely the product of invisible unconscious creative processes.

Even so, ‘subliminal uprush’ could be a double-edged sword (page 430):

Not all [its] products are of equal value, however, for “hidden in the deep of our being is a rubbish-heap as well as a treasure-house” (HP v1, p72).

This suggests that being open to our subliminal processes might carry the risk of succumbing to the ‘rubbish-heap’ rather than being exalted by the ‘treasure-house,’ with unfortunate consequences for the way we live.

At a more prosaic level and looking at external influences, Ludwig Tuman makes a telling point in his excellent survey of creativity and spirituality (page 19) when he draws the distinction between those who work within a global framework and those who work within a more circumscribed tradition:

The approach taken by an artist whose creative work draws its inspiration or its substance more from outlying cultures than from that of his native land, will in this book be called the global approach.

Since the Nineteenth Century this approach has become increasingly practicable for more and more artists.  Nonetheless he feels we should not disparage ‘work’ which ‘draws more on [the artist’s] traditional culture.’  This he terms ‘the traditional approach.’

A third element is perhaps worth mentioning here. Last month, there was a programme on the BBC called Wider Horizons, which focused on the music of David Gilmour, best known as a member of the band Pink Floyd. It became very clear that his creativity was in part fostered by a network of close contemporary collaborators including Phil Manzanera, a record producer and Roxy Music guitarist, and Gilmour’s wife, Polly Samson, who writes many of his lyrics.

What is also true of Gilmour, and all other creative artists as far as I can tell, – the same mysterious element Myers strove to define – also comes across from the programme. Interviewed by Alan Yentob he attempts to describe the experience of realising a song is emerging:

Every once in a while an idea will force its way to the surface of my mind. When I’m trying to write a lyric, a song about . . . . but I’ve got no way of predicting where that’s going to go in the future. I keep thinking that there is a little door, a little key that I can open and I’ll suddenly find a way that would make it slightly simpler for me to move those things forwards and define them, ‘cos there’s plenty to write about, but I haven’t yet really pinned that down.

A Historical Angle

Also there are those who locate the problem of a problematic life and the kind of art it permits as deriving principally from the 19th Century onwards. For example, Ludwig Tuman in his exploration of the role of art – Mirror of the Divine – (page 102) argues that:

[In the testing conditions of the Nineteenth Century], it may well be that the individual lives of some artists were in large part a reflection of the general decline affecting the moral and social ties of the day. That some of them managed to produce enduring works in spite of such spiritual and institutional turmoil was a noteworthy achievement. That many of them felt obliged, in such a context, to adopt an individualistic stance (and sometimes a non-conformist and defiant attitude); that many were forced to struggle against the current in a spiritually demoralising environment – such conditions call for pity and sympathy.

This would suggest that this model of explanation – great art tends to emanate from disreputable artists –  would be only of limited use. I intend to keep an open mind on that one. One of the most obvious contaminating factors to any examination of the evidence on this issue would be the fact that evidence is less readily available the further back in history you look. This might not simply be a question of more time means more accidental loss: in other earlier periods contemporaries might have been even more motivated than the Victorians to exalt the reputation of their great artists, as well as less concerned than we are to preserve every scrap of information.

Problems of Definition

Tuman also makes a compelling case that defining precisely any of the variables, such as the quality of the art or the moral rectitude of the artist, is almost impossible and concludes (page 99):

Whether we are considering greatness in art, or spirituality in human conduct, we need to remember that in both cases the light varies by degrees, and that even if it is brilliant, one can always aspire for it to become a bit brighter. This observation alone makes the argument of ‘good art despite bad conduct’ look suspicious, for in order to demonstrate the argument’s validity one has to state the criteria by which to distinguish between good and bad, and draw a line between the two.

He does contend, even so, that there will be a correlation between the quality of the art and the character of the artist because, as a Bahá’í, he is convinced that you cannot completely separate external action from inner state, even if no one outside the artist can define the relationship exactly in any given case. He takes the reach of this belief beyond the realm of art to include everything we do and makes a very telling point towards the end of his chapter on this issue (page 108):

One of the reasons that the world is in such a chaotic state is that professionals are trained for their calling technically, but are often not prepared spiritually

Where does this leave me?

Perhaps because of all this confusion of views, I feel I need to look at this whole issue more deeply for myself. Admittedly I’m not going to be doing thorough systematic studies across large populations of people. For example, if we are to test out the ‘ego depletion’ hypothesis we need to do a prospective study of creative artists which compares their level of work intensity with, say, lawyers, accounts, psychologists, and, if we are to take Maitreyabandhu’s point seriously, a group of meditators who also work hard at some vocation. I’m not up for that level of exploration.

I am choosing instead to embark, as time permits, on a reading of diverse biographies, particularly of more or less equally famous and hard working people from diverse backgrounds, many but not all of them creative artists of some kind, to see what patterns if any emerge.

In terms of the present, possibly over-ambitious exercise, it might be a good idea to remind ourselves of what we learnt about Shelley from a whirlwind tour of his life before seeing what, if anything, that might imply about his poetry. In doing so I need to bear in mind all the strictures and caveats I’ve just been quoting. I’m not sure I can do this well so early in my learning process, but I’m going to have a go.

What we’ve learnt about Shelley so far

Portrait of Shelley by Alfred Clint (1819) - for source see link

Portrait of Shelley by Alfred Clint (1819) – for source of image see link

In the first post, for those who may not have read it, I described Shelley’s dark situation and character contradictions in fairly stark terms.

He was a poet living in a time of terror: terror visited by his own state upon its own people, and recent terror overseas, both during and in the wake of revolution. During his career as a poet he behaved oppressively to most of the women closest to him, one of them committing suicide partly as a result of his indifference to her suffering. He also displayed great courage in speaking out for the oppressed in his society, at the risk of imprisonment and possibly even death.

I quoted his sonnet about Ozymandias to illustrate how powerfully he understood the emptiness and vanity of power and wealth. His sonnet about the condition of England in 1819 as George III was dying, which I also quoted, showed his compassion for the poorest in his society when he wrote of ‘[a] people starved and stabbed in the untilled field,’ and looked forward in hope to the possible redemption of his society.

After looking at his early life of privilege and, while at home, his domination of his younger sisters, tempered by his later experiences of being cruelly bullied at both his schools, I quoted the conclusion Holmes came to as his biographer (page 21):

Of the damage that the early Eton experience did to him, repeating and reinforcing the Syon House pattern and reaction, there can be little doubt. Fear of society en masse, fear of enforced solitude, fear of the violence within himself and from others, fear of withdrawal of love and acceptance, all these were implanted in the centre of his personality so that it became fundamentally unstable and highly volatile. Here to seem to lie the sources of his compensatory qualities: his daring, his exhibitionism, his flamboyant generosity, his instinctive and demonstrative hatred of authority.

Later years saw his continuing love of the macabre and episodes of hysterical intensity. His close relationships continued to reveal a lack of empathy and this could be exacerbated by his intense idealism. So much so, that it was tempting to conclude that he had invested a huge amount of ego in the ideals he chose to espouse. It took much suffering, his own and other people’s, to shift the tight grip of Narcissus on his thinking.

That he could be generous is shown by his consistent support for Claire Clairmont after her affair with Byron and the birth of their daughter, Allegra. His protracted negotiations with Byron on Claire’s behalf also show that he could be perceptive and diplomatic when he saw the compelling need, as he did in this case.

Holmes’s conclusion about Shelley at this time was that he was not completely blind to his socially destructive impulses but was rarely able to curb them. Commenting on a letter Shelley wrote to William Godwin, with whom his relationship was positive at that point, Holmes writes (page 145):

It was a warm and touching letter. In the intellectual presence of one he felt he could trust, Shelley’s sense of personal inadequacy is revealing. He was rarely able to admit his own impatience and his own bitterness of feeling; more usually he was ‘unimpeached and unimpeachable.’

A key event that helped Shelley mature was the suicide of his first wife. Claire Clairmont wrote in a letter that (page 356) ‘Harriet’s suicide had a beneficial effect on Shelley – he became much less confident in himself and not so wild as he had been before.’ Holmes unpacks this by saying: ‘For Claire, it was Shelley’s recognition of his own degree of responsibility – a slow and painful recognition – which matured him.’

For insights shed on this from the trauma literature see my earlier see the three immediately preceding posts accessible from the links at the start of this post..

The really difficult bit starts with the next post tomorrow – trying to map some of this at least onto the development of Shelley’s poetry! I’ll begin with a review of key moments in that trajectory followed, in a later group of posts in this sequence, by reflections on where that leaves me as I try to articulate my own sense of the issue in a wider perspective.

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After recently posting Unfinished Business in response to Sue Vincent’s book addiction post, and finally managing to finish Reading in the Park after only five decades, it struck me that it might be useful to post the family related poems, not in chronological order of composition, which is how they have appeared so far, but in a sequence that better reflects their chronological sequence in autobiographical time. I started last Monday week with the first one after Unfinished Business, as that was posted so recently. The rest are following at the rate of a poem a day. It is worth noting that Dying Matters Awareness Week runs from 9-14  May this year and this sequence of poems will appropriately overlap.

Try the Emptiness

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