O My servants! Be as resigned and submissive as the earth, that from the soil of your being there may blossom the fragrant, the holy and multicolored hyacinths of My knowledge. Be ablaze as the fire, that ye may burn away the veils of heedlessness and set aglow, through the quickening energies of the love of God, the chilled and wayward heart. Be light and untrammeled as the breeze, that ye may obtain admittance into the precincts of My court, My inviolable Sanctuary.
Gleanings from the Writings of Bahá-u-lláh — CLII
Authenticity
When I was confronting my challenges in the 1992 diary entry I quoted in the first post of this sequence, I asked myself ‘How am I to break this vicious circle? Do I risk losing the social ties and work I value? That’s what scares and deters me, stands between me and myself.’
I went on to explore this more deeply:
. . . . My background programmed me to believe that the cost of being ‘myself’ in the face of disapproval would be some kind of ‘death’ or absolute loss. But is this true? Is it too late to turn this round and refuse to be self-traitor any longer? Can I not find the means to reflect and write within my various roles? . . . To do so I must dare to introduce my differences into my relationships rather than sinking them beyond recovery in a swamp of self-deception.
That scares me. It will also be extremely hard work. There will be no comfortable easy rides. Confrontations, the idea of which shrivels me up inside, will be frequent. I will have to discover my true response in positions where that will be dangerous. I have so far attributed my survival and ‘success’ to my evasion of all such situations. My roles seem to require a dedication to the kind of facts with which the world typically stones to death the metaphors and myths poetry values and relies on.
It’s perhaps worth clarifying that at this point I really didn’t know about the language of the heart and its importance. All I seemed to know was that ‘My life and sanity seem to depend on my finding a workable and sustainable solution.’
I was gifted my Hearth Dream in 1993, triggered by the quotation at the head of this post, and it seems clear now that it started me on my long road out of this impasse. What I didn’t even begin to realise in 1993 was that this priceless source of innumerable insights almost certainly came from my literal heart, and not just ‘heart’ in some metaphorical sense. That clinching insight, as readers of this blog will know by now, came decades later.
There were various other complicating factors at work during this challenging period, above and beyond the role strain and conflicting values. My introversion had been a long-standing contributor to my stress, as previous posts have explored in more detail. What I was probably not factoring in was something that was only clearly explained in a recent book. Adam Robarts in his moving exploration of how he and his wife coped with the premature death of their son touches on a theme which resonated strongly with me and concerned ‘authenticity,’ something that seemed a core quality deeply embedded in his son, Haydn’s, being.
He quotes research published in Scientific American by Jennifer Beer:[1]
Beer notes, “Authentic people behave in line with their unique values and qualities even if those idiosyncrasies may conflict with social conventions or other external influences. For example, introverted people are being authentic when they are quiet at a dinner party even if social convention dictates that guests should generate conversation.” The distinctive twist, however, is that “a number of studies have shown that people’s feelings of authenticity are often shaped by something other than their loyalty to their unique qualities. Paradoxically, feelings of authenticity seem to be related to a kind of social conformity.” Specifically, she notes that such conformity is usually applied to a particular set of socially approved qualities, such as being extroverted, emotionally stable, conscientious, intellectual, and agreeable.
I have grappled since my teenage years with the issue of reconciling my introverted temperament with the need to operate effectively in the social world. I still remember my decision in my mid-teens to fake sociability in order to get on in the world.
The insights Robarts quotes helped me see how the confusion of extraversion with authenticity had made authenticity difficult for me as an introvert.
A relevant Socratic question might be how do I square the value I attach to connectedness with my deep desire for so much solitude? The acting on the latter leaves me feeling guilty while acting on the former creates frustration and drains energy. I am therefore rarely content.
Competing Needs
Grounded in my values, there are competing needs within me, for connection on the one hand and for solitude on the other. The problem is I feel authentic when alone, which can trigger a need to withdraw from company: when alone, though, I feel guilty for neglecting people who value my company, even though I often feel inauthentic when I’m with them.
There is apparently therefore no escaping my need for solitary time most days and usually I can scrape enough of that together. What I consistently fail to do most of the time with most people is to be true to my real self (not my ego but my heart). Part of the reason for this is my sense that who I really am in certain respects would not fit well with “present company” – I might easily upset or anger someone. I’m not so bothered about angering others because, for example, my views or tastes differ, but I hate upsetting or offending anyone.
I have not so far been able to find any way out of this cage. This contributes to a sense of distance from or loneliness with others that feeds my need for the quietness of solitude.
I wonder whether the distinction made by Eliot in his poem, Burnt Norton, which Lyndall Gordon discusses, is a clue:[2]
. . . the end of March, then, was [Hale’s]’s first opportunity to take in the [Eliot’s] detachment from human love. It was certain to shake her trust that this was ‘our’ poem.
Next to the line ‘darkness to purify the soul’, Eliot gives Hale a clue in ink: ‘The Ascent of Mt Carmel’. And next to the passage beginning ‘Descend lower’, he writes, again in ink, ‘The Dark Night of the Soul’. The 16th century treatises by the Spanish monk St John of the Cross preached a solitary discipline: to divest oneself of natural human affections so as to arrive at the love of God.
His poem’s swing from human love does not deny the validity of the rose-garden moment [they had shared together]. The rationale is that the ‘way up’ in the rose-garden and the ‘way down’ of the saint coexist, as in the epigraph from the ancient Greek philosopher Heraclitus: ‘The way up and the way down are the same’. These are alternative routes across the frontier of the timeless, and the poem does not lose sight of the route via natural love.
. . . So, for him to shun human love would have been more than expected; how could it not come as a shock and change her willing surrender to shame and disappointment? The first hint that he will turn away from pleasure comes in an otherwise intimate letter on 6 January when he writes that joy does not lie in the things of this world.
Basically, the theory goes that you can pierce the veils and access the timeless either upwards through connection with others or downwards through solitary introspection. Eliot ended up opting for the latter. I am torn between the two: the first seems an inescapable obligation, the latter an inexcusable indulgence. Pursuing either causes conflict and/or a sense of guilt.
My diary entries persistently track other aspects of this, for example, in an entry from Friday 17 June 2022:
Today I have experienced a crucially important epiphany. On the back of a fleeting comment I made recently that Iain McGilchrist, in his recent book ‘The Matter with Things’, was stating that art can serve as bridge between our consciousness and the ineffable aspects of reality, I came to see all too clearly a truth that I have been blind to all these years: art is not just a subordinate domain to science and religion – it is their equal. We need all three if we are to mobilise all parts of our brain to enable our minds to grasp almost any important and complex truth more completely in all its aspects. One of these domains is in itself not enough for most of us, at least.
This realisation almost immediately created the acronym S.T.A.R. in my mind — a peak experience, in its way; certainly a lightbulb moment. If I am to provide true C.A.R.E [my acronym for consultation, action, reflection and experience] I must resolutely follow my S.T.A.R. It’s only taken me 79 years to realise this. In fact, only to by taking CARE and following my STAR will I really be able to achieve anything remotely close to my life’s purpose.
Star and Care
This moved me onto to a critical question:
Have I really at last reached a proper understanding of what I should be doing with the rest of my life — a question that’s been bugging me for ages?
After years of sometimes invisible struggle, I clearly thought I was coming close to ripping off a few of the veils obscuring my inner vision.
This is such a revelation. I can’t quite capture all its many meanings. This not only explains my mysterious and compelling sense of quest, a desperate search for elusive meaning — something that has driven me ever since my wakeup call in the mid-70s. It also gives me a far better sense of where and how I should be focusing my energy and attention. . . .
I think a lot more energy than I was aware of was struggling to bring this crucial insight to the surface of my mind through miles of labyrinthine potholes and passageways. CARE is largely ‘How?’ and STAR is largely ‘Why?’ and ‘What?’
Of course, I had to bring my bête noire of reductionism into the mix:
Any form of reductionism or potentially toxic over-simplification is to be avoided at all costs in all three domains. A destructive ‘science’, ‘art’ or ‘religion’ is neither art, science nor religion. I think with this model, if I am immersing myself in any kind of genuine manifestation of any one of those three domains, there is no need to feel guilty, or slag myself off for betraying the other two and wasting my time.
I must keep all three in balance though. Different people will privilege different domains at different times and in different places: what is critical is that destructive dogmatism and fanaticism be avoided at all costs and ideally everyone should be open to information and experiences from all three domains, or risk descending into illusion at best or dangerous delusion at worst. If I hear anyone disparaging any of these domains as pointless I’ll know not to trust a word they say.
For me a more difficult task than avoiding reductionism, is keeping the three domains in balance.
I know I am not a polymath, but I really do need to keep all three in balance. Choosing psychology swung me away from the arts but the fire-in-the-car-engine dream helped me redress that imbalance. My conversion to the Bahá’í Faith derailed the arts again in favour of religion. The Writings talk so much about the harmony of religion and science as paths towards the truth, that even though they praise the role of the arts in expressing spirituality I failed to see that there is more to the arts than that.
I think these insights might help me shed the burden of guilt that has dispirited me so long and prevented my enjoying and learning from literature, painting and song in the way I used to. Maybe I again got too close to the position Iain McGilchrist reminds us that Darwin found himself in:
He draws from Charles Darwin’s Autobiography which speaks of the great pleasure he derived as a young man from poetry, music and art, something now almost completely lost to him:[3]
My mind seems to have become a kind of machine for grinding general laws out of large collections of facts . . . And if I had to live my life again, I would have made a rule to read some poetry and listen to some music at least once a week; for perhaps the parts of my brain now atrophied would thus have been kept active through the use. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.
I am determined to do everything I can not to make that same mistake again.
. . . Basically, I think I have come to a firm realisation that my path entails using an exploration of the arts, social sciences and spirituality to help me enhance my understanding of reality and ease my own existential pain as well as lift the understanding and ease the pain of others.
Recent reading, which I will touch on in the next post, suggests I need to keep my focus on arts and sciences that explore spirituality in some way, however indirectly. My recent heart insights showed me that, as all three in their highest form are valuable paths towards what is ultimately the same truth, my sense of their being in conflict was a completely misplaced veil blocking my ability to jettison my disabling guilt about following any of them at the imagined expense of the others.
Also, I wrote that I had been ruminating so long on what I was interested in — science, art, consciousness, spirituality etc. — without really looking at how to enact that (except in my blog). That was not enough. I need to use every interaction, every solitary action, to authentically express my deepest self in as constructive a way as possible, regardless of the criticism, and possible contempt it might trigger.
I am trying to hold on to these words of ‘Abdu’l-Bahá, translated from the Arabic:
Let the loved ones of God, whether young or old, whether male or female, each according to his capabilities, bestir themselves and spare no efforts to acquire the various current branches of knowledge, both spiritual and secular, and of the arts.
More on all this next time.
References
[1]. Nineteen – page 36.
[2]. The Hyacinth Girl – pages 227-229.
[3]. The Matter with Things – page 619.